Need a tee-shirt to adorn your body?

As you may have noticed (or not, it IS at the bottom of the side navigation bar), we’ve opened a Bill / Shakespeare Project store at

thumbnail of BSP t-shirt
thumbnail of BSP t-shirt

Currently, we have three styles:

  • “Shakespeare sucketh not” on the front/schedule and URL on the back
  • URL on the front
  • project name on front/schedule and URL on back

We also have hoodies, bags, journals and clocks.

ALL items are at cost (we make no money… we just want to spread the word!)

Show your Bard-a-phile status and pimp the site!

Don’t Forget to Vote

… for your favorite play… there’s a survey in the side navigation bar just below the jump-link to our Facebook page…

As of right now, Macbeth is in the lead with a whopping two of seven votes, followed closely (duh) by Hamlet, Henry V, King Lear, Romeo and Juliet, and The Taming of the Shrew.

I’ll keep the survey up at least for the month of July… if you’ve got ideas for the next survey, post a comment!

Act Five: Hey, Abbott (er, make that Abbess)!

Act Five’s single scene brings all together.  The scene begins with Angelo and his creditor discussing the situation again.  AS and DS arrive, and after some confusion, the creditor draws his sword to arrest then and get the money owed to him.  AS and DS escape to sanctuary in the Priory (Abbey).  The Abbess comes out to see what is going on, and she questions the newly arrived Adriana on the social aspects of AS’s state… her initial finding is that Adriana is to blame: “The venom clamors of a jealous woman / Poisons more deadly than a mad dog’s tooth” (V.i.69-70), but she exits to tend to his madness with “wholesome syrups, drugs and holy prayers” (V.i.104).  Upon her exit, the Duke arrives with Egeon to oversee the Syracusian merchant’s execution.
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Check out: Shakespeare Behind Bars

If you do Netflix (or if your DVD rental vendor of choice has a good selection of independent docs), do yourself a GREAT favor and check out Shakespeare Behind Bars, a documentary made back in ’05 about a volunteer theatre project at a Kentucky prison.

Thanks go out to BSP commenter Mashaw for pointing me in the direction of this film (her friend Shana was the directory of photography for the piece).

Check out their website.

It’s great stuff…

Antipholus on the Make

It’s been a wonderful holiday weekend, and while I wasn’t able to read all of Act Three on Friday (before the Macbeth performance), I was able to write a Mac review on Saturday, and read the remainder of Act Three and the totality of Act Four at the beach on Sunday… thank goodness for a short play!

So where were we? … ah, yes.  The Comedy of Errors: Act Three, Scene Two.
Continue reading “Antipholus on the Make”

Podcast 02: KSF Macbeth Review

This week’s podcast is a review of the Kingsmen Shakespeare Festival’s production of Macbeth, performed at California Lutheran University (Thousand Oaks, California) on Friday, July 3, 2009.
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Act Three, Scene One: Found– one Antipholus of Ephesus

Didn’t finish Act Three yesterday.

A day off got in the way, as did last night’s trip to Thousand Oaks to see the Kingsmen Shakespeare Festival‘s production of Macbeth at Cal Lutheran University… it was great to spend some time with great friends and great drama under the stars.  The production was very good, the lead excellent, and the experience great… I’m planning a review as a podcast.  If I can get off my butt and write it today, I’ll record and release it tomorrow (but today’s holiday may get in the way!).

But Act Three, Scene One…
Continue reading “Act Three, Scene One: Found– one Antipholus of Ephesus”

Act Two: the Where’s Waldo, er, Antipholus of Ephesus? Edition

OK, Act Two is in the books… another short one, again, only two scenes.

In II.1, we meet Adriana, the wife of Antipholus of Ephesus (AE), and Luciana, her sister.

Any bets Antipholus of Syracuse (AS) ends up with the sister of his long lost brother’s wife? No takers?  Really?

Continue reading “Act Two: the Where’s Waldo, er, Antipholus of Ephesus? Edition”

Act One, and some quick thoughts… like “long lost, oh, brother”

OK, finished Act One last night… very short act, two scenes.

Of course, this is a very short play… by my count (and for my count, I’m using the Pelican Shakespeare, edited by Frances, E Dolan… and I plan to use the Pelicans for the entire series, just to be consistent), Comedy has 1766 lines, the least of any Shakespeare play.  (to put this in perspective, the character [not the play, but just the character] of Hamlet has over 1550 lines himself alone…)
Continue reading “Act One, and some quick thoughts… like “long lost, oh, brother””