As I ready myself for Saturday’s trip up to Santa Barbara to see the Globe Theatre’s touring production of Love’s Labor’s Lost at the Granada Theater, I’ve been doing a quick inventory of the plays I’ve seen…
Continue reading “Audience Showcard”
Act Five, Scene One of The Second Part of Henry the Sixth begins with the entrance of Richard Duke of York and his army onto an open field between St. Albans and London. Richard makes his intention plain to his followers: “From Ireland thus comes York to claim his right, // And pluck the crown from feeble Henry’s head” (V.i.1-2). Buckingham arrives as a messenger from King Henry, desiring to know York’s reason for raising an army; York, seemingly realizing that he cannot mount a full rebellion yet, states his cause is “to remove proud Somerset from the king, // Seditious to his grace and to the state” (V.i.36-37). When Buckingham tells York that Somerset is already in the Tower of London, York immediately disbands his army and sends them off, agreeing to give Henry not only his “fealty and love” (V.i.50), but that of his sons as well, as long as Somerset is put to death. Buckingham commends York’s “submission” (V.i.54), and tells Henry as much when he arrives with his attendants a few lines later.
Continue reading “Act Five: the Duke of York’s First Claim Unto the Crown”
With Suffolk dispatched in Act Four, Scene One of The Second Part of Henry the Sixth, the remainder of the fourth act is devoted to (as the original title’s subtitle puts it) “the Notable Rebellion of Jack Cade.”
Continue reading “Act Four, the Remainder: Rebel, Rebel”
Act Four, Scene One of The Second Part of Henry the Sixth takes place on a ship, one that has just boarded the ship taking Suffolk off to banishment. The captain of the ship disperses the three prisoners (including a disguised Suffolk) to his cohorts (so that they may be ransomed). Suffolk is ready to pay his ransom for release until he hears the name of his captor: Walter Whitmore. When he hears the name, however, he “starts” such that Whitmore asks, “What does thee affright?” (both IV.i.33). Suffolk’s answer is simple:
Thy name affrights me, in whose sound is death.
A cunning man did calculate my birth,
And told me that by Water I should die
Continue reading “Act Four, Scene One: Murdered by Pirates is Good (yeah, I know they’re not pirates, but I couldn’t resist)”
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This week’s podcast includes a introduction to our discussion of The Second Part of Henry the Sixth, including a plot synopsis of the first half of the play, and our usual recap of this week’s blog entries.
Continue reading “Podcast 18: The Second Part of Henry the Sixth (The first part of the plot)”
Act Three, Scene Two of The Second Part of Henry the Sixth begins with a bit of stage direction:
The curtains are drawn apart, revealing Duke Humphrey of Gloucester in his bed with two men lying on his breast, smothering him in his bed.
— III.ii.begin s.d.
Continue reading “Act Three, the Remainder: Death, Banishment, More Death, and a Little TLC”
Act Three, Scene One of The Second Part of Henry the Sixth presents the parliament at Bury Saint Edmunds to which Gloucester was summoned at the end of Act Two. It begins with King Henry “mus(ing)” (III.i.1) why his uncle is late.
could it be the short notice he received? dramatically possible but historically inaccurate (surprise surprise… but that and others will be a later topic)
Continue reading “Act Three, Scene One: The Bottom is Reached for Humphrey”
Act Two of The Second Part of Henry the Sixth begins, following the arrest of Eleanor and the occultists, with her husband Humphrey Duke of Gloucester hawking with the royal party at Saint Albans. After some symbolic statements about falcons flying high (an analog to man’s ambition), Winchester and Gloucester begin their usual sniping, this time with Queen Margaret joining in on the attacks on Gloucester, much to the dismay of King Henry: “I prithee peace, Good queen, and when not on these furious peers” (II.i.32-33). Surprisingly, she stops.
The verbal tussle is interrupted by the Mayor and townspeople of Saint Albans, carrying a lame man called Simpcox, all crying out that a miracle has happened. It seems that Simpcox had been blind until today. Through careful examination, though, Gloucester is able to determine that this is all a scam, that Simpcox was never blind. It’s a comic sequence, and at the end of it, even Queen Margaret is laughing. Gloucester, for once, is not under attack; even Winchester states, “Duke Humphrey has done a miracle today” (II.i.162).
Continue reading “Act Two: It’s a Long Way from the Top to the Bottom for the Lord Protector”
Act One, Scene One of The Second Part of Henry the Sixth ended (yesterday) with a soliloquy by York outlining his ambitious goal: the throne of England. After he exits, enter Humphrey Duke of Gloucester and his wife Eleanor, who questions him on his gloom. She asks what he sees on “the sullen earth” (I.ii.5), and wonders if it is “King Henry’s diadem, // Enchased with all the honors of the world” (I.ii.7-8); and if it is the crown he sees, then her advice is to “gaze on… until (his) head be circled with the same” (I.ii.9-10). She goes on to tell how she’ll help him achieve the crown through her support.
Continue reading “Act One, Scenes Two through Four: A Dry Run at Big Lady M, and Even More Intrigue”
Like the play that precedes it in the tetralogy, The Second Part of Henry the Sixth begins with pageantry, only this time instead of it being a funeral, now we’re dealing with a quasi-wedding: Henry is being introduced to his wife (married in proxy to Suffolk). Remember, this follows the closing scenes of The First Part of Henry the Sixth, in which we see Suffolk taking Margaret prisoner, then ambitiously deciding to pimp her off to Henry as Queen (though even more ambitiously planning to “rule both her, the king and realm” [1HenryVI: V.vii.108]).
Continue reading “Act One, Scene One: This is not going to end well…”