Act Five’s single scene brings all together. The scene begins with Angelo and his creditor discussing the situation again. AS and DS arrive, and after some confusion, the creditor draws his sword to arrest then and get the money owed to him. AS and DS escape to sanctuary in the Priory (Abbey). The Abbess comes out to see what is going on, and she questions the newly arrived Adriana on the social aspects of AS’s state… her initial finding is that Adriana is to blame: “The venom clamors of a jealous woman / Poisons more deadly than a mad dog’s tooth” (V.i.69-70), but she exits to tend to his madness with “wholesome syrups, drugs and holy prayers” (V.i.104). Upon her exit, the Duke arrives with Egeon to oversee the Syracusian merchant’s execution. Continue reading Act Five: Hey, Abbott (er, make that Abbess)!→
If you do Netflix (or if your DVD rental vendor of choice has a good selection of independent docs), do yourself a GREAT favor and check out Shakespeare Behind Bars, a documentary made back in ’05 about a volunteer theatre project at a Kentucky prison.
Thanks go out to BSP commenter Mashaw for pointing me in the direction of this film (her friend Shana was the directory of photography for the piece).
It’s been a wonderful holiday weekend, and while I wasn’t able to read all of Act Three on Friday (before the Macbeth performance), I was able to write a Mac review on Saturday, and read the remainder of Act Three and the totality of Act Four at the beach on Sunday… thank goodness for a short play!
A day off got in the way, as did last night’s trip to Thousand Oaks to see the Kingsmen Shakespeare Festival‘s production of Macbeth at Cal Lutheran University… it was great to spend some time with great friends and great drama under the stars. The production was very good, the lead excellent, and the experience great… I’m planning a review as a podcast. If I can get off my butt and write it today, I’ll record and release it tomorrow (but today’s holiday may get in the way!).
OK, finished Act One last night… very short act, two scenes.
Of course, this is a very short play… by my count (and for my count, I’m using the Pelican Shakespeare, edited by Frances, E Dolan… and I plan to use the Pelicans for the entire series, just to be consistent), Comedy has 1766 lines, the least of any Shakespeare play. (to put this in perspective, the character [not the play, but just the character] of Hamlet has over 1550 lines himself alone…) Continue reading Act One, and some quick thoughts… like “long lost, oh, brother”→
... and tomorrow, and tomorrow
Creeps in this petty pace from day to day
To the last syllable of recorded time...
— Macbeth V.v.19-21
Or at least: The clock is slow... I don't feel tardy
–Van Halen, “Hot for Teacher”
Either way, I can’t wait for tomorrow. The Comedy of Errors text sits on my desk, almost mocking me… I’m waiting for tomorrow even to open it up… haven’t even cracked it open to read the intro… haven’t even read the section on it in Asimov’s Guide to Shakespeare… don’t want to cheat and start early… but I’m giddy, like tomorrow is Christmas… there are times I actually rub my hands together in giddy anticipation!
See you all tomorrow, and we’ll begin to read and start this experiment!
Welcome to our first podcast. It’s a little re-purposed from some of our first week’s entries, but it gives a pretty solid overview of what we’re doing and why… and a hint of where we’re going with all this. Continue reading Podcast the First: Introduction→