There are 2329 lines in in the play, which means the midpoint is at line 1165, or at Act Three, Scene Two, line 5. According to Dr. Rodes’ theory, you could find at this midpoint–or within twenty lines either way–a speech that perfectly sums up a major theme of the play (the 20-line leeway was to help remove the differences in prose line lengths between individual editions).
The play-opening chorus of Pericles, spoken by Gower, runs 42 lines, mostly in iambic tetrameter. Those are four-foot lines, as opposed to the five-foot iambic pentameter we’re used to hearing come from Shakespeare; of course, the historical Gower wrote in tetrameter, so it fits.
The speech in interesting as it introduces the play and Gower…but not Pericles. He’s not mentioned a single time in the speech, one that spends almost its entire length on Antioch and Antiochus.
In Act Two of Pericles, during the parade of jousters at the Pentapolis tournament, Pericles delivers to Thaisa a “withered branch that’s only green at top” (II.ii.43), with the motto “In hac spe vivo” (II.ii.44).
A couple of days back, I played with the idea of Marina as quasi-protagonist in Pericles. There’s so much bad sex in the play, that what she stands for–virginity and virtue–seems all the more important.
Yesterday, I discussed that troublesome Act One, Scene Two of Pericles, what with its weird entering and exiting lords, and references to actions not done. Today, I want to talk about what might seem to be the troublesome title.