Category Archives: Pericles

Podcast 146: Pericles: concept, cast, conclusion


This week’s podcast concludes our discussion of Pericles with a concept and cast (kinda, not really) and a conclusion.

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Pericles – midpoint: huh?

Using Professor Rodes’ midpoint theory, let’s take a look at Pericles.

There are 2329 lines in in the play, which means the midpoint is at line 1165, or at Act Three, Scene Two, line 5. According to Dr. Rodes’ theory, you could find at this midpoint–or within twenty lines either way–a speech that perfectly sums up a major theme of the play (the 20-line leeway was to help remove the differences in prose line lengths between individual editions).

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Speech Study: Gower, opening chorus

The play-opening chorus of Pericles, spoken by Gower, runs 42 lines, mostly in iambic tetrameter. Those are four-foot lines, as opposed to the five-foot iambic pentameter we’re used to hearing come from Shakespeare; of course, the historical Gower wrote in tetrameter, so it fits.

The speech in interesting as it introduces the play and Gower…but not Pericles. He’s not mentioned a single time in the speech, one that spends almost its entire length on Antioch and Antiochus.

And that’s not the only weirdness in the speech…

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Happy (pre-)Valentine’s Day–Pericles: bawdy or just ‘unsavory’?

Happy (pre-) Valentine’s Day! and in that spirit…


So. Pericles and the bawdy. Given that Act Four takes place mostly in a brothel, you know it’s going to bring the bawdy. But what does our Bard of the Bawdy, Eric Partridge say in his Shakespeare’s Bawdy?

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Pericles: Back to the Ephesus!

In Pericles, when Thaisa “dies” (or when they think she’s dead, but she’s only “mostly dead”), they put her body in a chest and dump it overboard. It washes up on the shore of Ephesus.

And if that place sounds oddly familiar, it should. We (and by “we” I mean this project) have visited there before…

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