Last night, Lisa and I went down to Los Angeles’ Griffith Park to see Independent Shakespeare Company’s free performance of Titus Andronicus.
For those who have followed this Project, you know how much I love what Indy Shakes does. I dig their diversity and inclusion, in terms of casting, staffing, use of language, and audience outreach. They are pretty much the antithesis of what I hate: Museum Shakespeare… their playfulness with the text–unafraid to make comic and topical references to the crowd–in addition to their use of direct address to, and from within, the audience, make for a wonderful experience that brings 400 year-old texts alive.
And those who know me know that I love this play. I think it’s the work of a brilliant young playwright doing his damnedness to make his audience notice him. And I just find the thing fascinating–thus my use of it in my current Masters thesis…and someday I want to direct the damn beast.
Some might then assume that this would make a positive review of this a fait accompli … a done deal. But with expectations so high, and such investment so personal, the opposite could be a risk.
Continue reading “Theater review: Titus Andronicus by Independent Shakespeare Company (spoiler-free)”
