As my reading of Measure for Measure comes to a close in the next week or so, I find myself trying to look at the bigger picture, of Measure for Measure’s place in the Canon. With this play, we come to the end of the string of problem plays that precede the great tragedies (next fall’s Timon of Athens’ categorization as a problem play, is debatable… many [as I may in the future, like I did to Troilus and Cressida in this past summer] see it as a tragedy). We come to an end of the comedies most definitely. And so I look back on those problem plays and comedies to find connections.
Continue reading “Measure for Measure: Shakespeare at the merciful concordant crossroads”