This week’s Shakespeare news review includes Hamlet on trial, original pronunciation, the Shakespeare family saga, and some Tempest reviews. PLUS our usual recap of this week’s daily highlights in Shakespearean history.
- Finding modern femininity in Shakespeare – Caitlin West on her The Taming of the Shrew
- Idaho Shakespeare brings Hamlet, Hunchback, Hound for its summer 2017 season
- Stafford Festival Shakespeare unveils new website
- Shakespeare’s Stratford reminds us of a morbid, fantasizing England
- “a voice potential/As double as the duke’s” : War, disability, and casting in Iqbal Khan’s Othello
- How did Shakespeare originally sound?
- Not guilty – Hamlet cleared of murder in live courtroom drama on stage
- The Shakespeare family saga
- What Fools looks at Shakespeare from a new angle
- The Tempest by Donmar Warehouse (reviews: Standard | Guardian | Independent | Financial Times)
- The Tempest by The Print Room (review)
- Much Ado About Nothing by Royal Shakespeare Company (reviews: Blackpool Gazette | Manchester Evening News)
This podcast was recorded with a Yeti microphone by Blue Microphones on an iPad Air 2, using GarageBand for iOS. It was then edited in Adobe Audition Creative Cloud on a Dell Inspiron 3847 computer.
The bumper music (Blue Nuke) and the segue music (Sonic Chaos) are courtesy of Royalty Free Music.com, which offers a comprehensive music library of production music for your various royalty free music needs including full albums, tracks and free music clips, loops, and beats available for download.