The Roadmap

Here's the schedule (* means I've read the play before; ** means I've taught the play before):

Title Date Written (range?) Discussion date
The Comedy of Errors* 1590 (? - 1594) July 2009
Titus Andronicus 1590 (? - 1594) August 2009
The Taming of the Shrew** 1591 (? - 1594) September 2009
Henry VI Part 1 1592 (? - 1592) October 2009
Henry VI Part 2 1591 (? - 1592) November 2009
Henry VI Part 3 1591 (? - 1592) December 2009
Richard III** 1592 (1592 - 1597) January 2010
Love's Labor's Lost 1593 (? - 1597) February 2010
Two Gentlemen of Verona 1593 (? - 1598) March 2010
A Midsummer Night's Dream** 1594 (1594 - 1598) April 2010
Romeo and Juliet** 1595 (? - 1597) May 2010
King John 1596 (? - 1598) September 2010
The Merchant of Venice* 1596 (1594 - 1598) October 2010
Richard II* 1595 (1595 - 1597) November 2010
Henry IV Part 1* 1596 (1595 - 1598) December 2010
Henry IV Part 2* 1597 (1596 - 1598) January 2011
Henry V* 1599 (1599) February 2011
The Merry Wives of Windsor** 1597 (1597 - 1602) March 2011
As You Like It* 1598 (1598 - 1600) April 2011
Much Ado About Nothing** 1598 (1598 - 1600) May 2011
Julius Caesar** 1599 (1598 - 1599) June 2011
Twelfth Night* 1600 (1600 - 1602) July 2011
Hamlet* 1601 (1599 - 1601) August 2011
Troilus and Cressida 1602 (1601 - 1603) September2011
All's Well That Ends Well 1603 (1598 - ?) October 2011
Measure For Measure* 1604 (1598 - 1604) November 2011
Othello** 1604 (1598 - 1604) December 2011
King Lear** 1605 (1598 - 1606) January 2012
Macbeth** 1606 (1603 - 1611) February 2012
Antony and Cleopatra 1606 (1598 - 1608) March 2012
Timon of Athens 1606 (1598 - ?) April 2012
Pericles Prince of Tyre* 1607 (1598 - 1608) May 2012
Coriolanus 1608 (1598 - ?) June 2012
Cymbeline 1609 (1598 - 1611) July 2012
A Winter's Tale* 1610 (1598 - 1611) August 2012
The Tempest** 1611 (1610 - 1611) September2012

Yeah, I've played around a little the with sequencing... but only to keep the tetralogies both in order and consecutive (for example, moving The Merry Wives of Windsor to after Henry V so the four histories are together).

Looking at it now, I'm wondering if I should have done something a little more ambitious--maybe a play every 10 days, so that it would wrap up in the course of a single year.

I need to slap myself around: that would be crazy, it would allow no time for real depth in reading (and certainly no time for any of you to follow along)... and I think it would cut WAY too much into family time (which is already at a premium... being a work-from-home dad means there's very little boundary between home and office, and I spend way too much time "working" as it is).

No, the schedule looks ok...

 

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Comments

  • 6/19/2009 6:21 PM Donna wrote:
    yeah, one play a month is GOOD. Not everyone is a Shakespeare savant like you!!!!!
    Reply to this
  • 6/19/2009 8:26 PM Chris M wrote:
    I've got to agree; a play a month may seem slow, but with time unfortunately at a premium, it's probably best to be extra generous in that regard.

    Also, shouldn't you double-star Othello? I know my mind, like wine, is turning to vinegar in my rapidly advancing years, but I still do distinctly remember you claiming Iago more than once when we read it aloud in class oh so long ago.
    Reply to this
    1. 6/19/2009 11:01 PM bill-w wrote:
      Damn, you're right... this is why I need younger brains that mine as collaborators!  My mind can launch bottles by adding just a little baking soda... sigh

      Reply to this
  • 10/7/2009 8:55 AM Lisa Otero wrote:
    Hi Bill. I am not using the edition you are using. I am using, "William Shakespeare, the Complete Works, The Edition of the Shakepeare Head Press, Oxford." (MetroBooks 1994). Are there large variations in the editions? Is Penguin considered definitive?

    My edition lists the plays in a slightly different chronological order than you (Penguin?) do. At some point, will you discuss academic debate over the chronology? Also, did Will really write H6, parts 2 and 3 prior to part 1? Were they initially perfored separately?
    Reply to this
    1. 10/7/2009 7:18 PM bill-w wrote:
      Penguin, definitive> ... naw... it's just that the Romeo and Juliet I marked up in preparation for Kyle's class was a Penguin, and I wanted a matching set... (and they was CHEAP, I tell ya, in these tough economic times).

      As for variation, every editor does a little bit of individual clean-up on the text, some more than others, some taking a little more from the folio than the quarto edition (and others vice versa).  If you have variations in any of the stuff I cite, I'd love to hear about it... ESPECIALLY if it changes the text (or possible performance/interpretation) in any meaningful way.

      The order I used was an amalgam of a couple of concepts: 

      1) a quick and dirty review of many critics opinion on order (and you're absolutely right, there are some pretty interesting divergences in opinion... heck, remember, I'm not even doing the "Fletcher" plays of The Two Noble Kinsmen and Henry VIII [but in retrospect, I think that may have been more for "round-number" purposes... my selection of 36 gets us done in a nice, round three years... but when June 2012 rolls around, I might just revisit that decision]

      and 

      2) my desire to put the histories in chronological order in terms of history rather than authorship (which bumps The Merry Wives of Windsor to after Henry V, though it was written before).

      At some point, I am going to discuss the academic debate over order, especially as it pertains to The First Part of Henry the Sixth, which most critics agree was written--or rather RE-written (ooooh, foreshadowing!)--after the Second and Third Parts...  

      And, as always, when I get there, please chime in with whatever nuggets of historical gold you may have!

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